I’m thinking about launching a new product. Typically that means tons of time pitching to distributors and retailers to try to get on store shelves before ever worrying about awareness. However, this product is fronted by a celebrity, and I’m confident we can get a lot of awareness very quickly. I have an idea for a new model of distribution in my category, patterned after direct-to-consumer businesses like new fashion brands. I want to produce a set amount of the product, say 500 cases, and then let people know there will be one release on X date and they can get it from X retailer. Then, three months later come back with a different variant (under the same distinct assets) and do it again with 750 cases, and do that again in 3 months with 1000, etc. The hope is to build up name recognition and demand before pushing for wide spread distribution, so that when we do ask for distribution we can dictate better terms.
Does the institute have any research on direct to consumer distribution models, or scarcity as a business tactic? I’ve read the report on luxury brands, but it doesn’t really get at what I’m considering. I’m hoping to use scarcity as a way to spur purchase.
It’s an interesting problem! There are two perspectives – the distributor’s and the consumer’s view – and a final consideration.
We don’t have much evidence about strategies for dealing with distributors, so if in your experience getting new product in is a nightmare then it might be worth trying a different approach. It’s such a tricky, unknown area that a test-and-learn approach is the best suggestion.
With regards to scarcity as a business tactic, it goes against the evidence we have about brand growth. Selling less means just that, selling less. We don’t have evidence that niche brands (that is, brands with excess loyalty compared to their penetration) are widespread. When they do, it is almost always to do with well-known circumstances like restricted distribution. The classic case (and most easily observed case) being that of Private Labels. The ‘excess loyalty’ status coming by virtue of the brand having high penetration within a limited area (a single store/chain in this example) and is therefore bought with a frequency inline with that penetration, however when the penetration is ‘averaged out’ within the entire market, the overall penetration percent then becomes much lower and so the purchase frequency then appears too high for a brand of that penetration. The same thing can happen where there is limited distribution to, say, specific geographic areas or regions, or ethnic enclaves etc. The key however, is the high penetration within a sub-market. At some scale, the brand appears, or actually is, ‘big’. It is a well-penetrated brand within that small area.
Brands grow by reaching many people, at scale, being well-branded, and linking the brand to category entry points that matter to the consumer. Usually, mental and physical availability should grow at the same time, as they form a feedback loop working with each other – seeing the brand for sale can help build MA. Scarcity is unlikely to be a long term brand growth strategy, and if it fails, it might fail not because the product is bad overall. It’s risky, but can be reversed at any point, I assume.
Then there’s the consumer. Consumers are cognitive misers, who want to reduce the total effort required to buy a product. And, even if a product seems to be quite differentiated, consumers probably see it as substitutable, and are unlikely to go to much effort to try and buy it. Reducing friction is going to be important – If the celebrity you have planned is an instagram celeb, making it possible to buy online is going to make it easier for consumers than having to go somewhere in person.
And, using celebrities can be problematic. Celebrities can detract from the effectiveness of advertising for two reasons: the vampire effect, where the celebrity gets all the visual attention when consumers see an ad, and that the brand is linked only to the celebrity, rather than useful Category Entry Points – reasons for buying the category in the first place. Celebrities are also more linked to the competition, unrelated brands, and clutter brands, than brands they actually endorse.
Whatever you do needs to be combined with a high-reach comms campaign (for sustainable, long term growth). The key is to ensure that the comms reach the bulk of category buyers, that they are well-branded, and that they build memory structures that are useful over time – rather than memory structures for a celebrity. And make sure that the ads reach the most important demo: the distributors.
And the final consideration – are your resources best spent on a new product, sold through being linked to a key celebrity, or supporting your existing brand/s? Are there potential portfolio effects from the new product? e.g. will expanding it help get the portfolio into more distributors, is there potential for increased business growth that can’t come from your existing portfolio and investing the resources (all of the dollars and time and effort and focus of attention) into building MA and PA for your existing range?
As with ANY and ALL decisions regarding marketing activations, you need to cost out what the cost per reach point of the category buyers will actually be. An inflated cost over other, more traditional, approaches will probably not be justified. It might be a useful exercise in reaching parts of the market (especially light buyers) that are particularly difficult to reach. However, you need to be honest about the extent of that, and make that a key metric for evaluation in your test-learn process if that is the case.
B.P.
25 July 2019
Link: https://sponsors.marketingscience.info/frequently-asked-questions/how-valuable-would-it-be-to-use-a-celebrity-endorser-to-build-awareness-for-a-new-product-on-the-basis-of-scarcity/
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